Is it any surprise that Herr was also the co-writer of the screenplays for both Apocalypse Now and Full Metal Jacket. Gives one a new respect for the prose of Dispatches which could be summed up by the following paragraph:
In the months after I got back the hundreds of helicopters I'd flown in began to draw together until they formed a collective meta-chopter, and in my mind it was the sexiest thing going; saver-destroyer, provider-waster, right hand-left hand, nimble, fluent, canny and human; hot steel, grease, jungle-saturated canvas webbing, sweat cooling and warming up again, cassette rock and roll in one ear and door-gun fire in the other, fuel, heat, vitality and death, death itself, hardly an intruder. Men on the crews would say that once you'd carried a dead person he would always be there, riding with you.
Yeah - the whole book is like that. Maybe why I'm re-reading it.
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